In the first couple weeks of Uni, I was in the kitchen with a guitar and a small audience (I don’t remember how this came about, but that’s not really important) and I played and sang a song I’d written about a year ago or so. Since then, I’ve been told numerous times how much they liked it, and how I simply have to record it for them before I leave for the States.
Then, about a week ago, some friends and I were hanging out in a lounge on the second floor. I had my guitar handy, and I performed a song for them that I’d just finished writing. I wasn’t sure how it would be received, but they loved it. They loved it so much, in fact, that I heard about it almost every day. A couple of them later told me they had cried, or almost cried. One friend asked to see the lyrics some three days later.
I liked the attention and the validation. I had new confidence in my abilities. I started thinking about my unfinished songs, and how I should get around to finishing them. But I also felt like they’d have to be as good as the last one I’d written, or else I’d let my friends (and myself) down. About that time, I found a song by Damien Rice (called 9 Crimes) that I still figure is one of, if not the, most beautiful and haunting songs I’ve ever heard, and suddenly, my own songs weren’t good enough, and probably never would be. Every hour, I was thinking about lyrics, characters, chord progressions, timing, anything and everything I could use to make a song that can recreate the effects I’d given my friends, the feelings I’d experienced when I heard 9 Crimes for the first time.
I’d have thought that with my history of obsessive tendencies I’d have seen this progressing, but by the time I did, I was already feeling the effects. I felt drained, stressed, and restless. Others could tell I wasn’t myself, either. Once I realized where I was heading, I decided to take a break from guitar until I get my head together. It worked.
I’ve thought about what happened for long enough to see why it happened. Most of the songs I write are not peppy songs. Generally, I use songwriting like I use journaling; to make sense of things I don’t understand, to come to accept the things I don’t like, and to express things I can’t express any other way. So the subjects aren’t always happy. But they’re the things I’m working through. They’re the things I talk about with my close friends. So by letting others into my songs, I felt like I was connecting with my new friends in a real, deep way. By finishing my songs, I could continue to show myself to my friends. And that’s something I desperately need. And I’m not ashamed of that.
And that’s just the way it goes. We have a serious, legitimate need, and we set out to meet that need, but so often we do it in the wrong ways. Writing songs is a great, but it is not meant to accomplish what I wanted it to accomplish. I was abusing it. And in that abuse, we find ourselves in a whole new host of troubles, often worse off than when we started. It’s like drinking sea water when you’re thirsty.
If you know me, you know the punch line by now: Jesus is the good water. He calls himself the living water, and those who drink of him will never thirst again. So I’ve taken a break from song writing, and I’m trusting in God to give me what I really need; community, acceptance, and love. Since then, people have come up to me, offering to talk. I’ve seen that my friends care about me, and that they do want to know me better. And that was what I wanted all along.